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iixqctcaiztdhobc – Read and download James Voorhies’s book Beyond Objecthood : The Exhibition as a Critical Form since 1968 in PDF, EPub, Mobi, Kindle online. Book Beyond Objecthood : The Exhibition as a Critical Form since 1968 by James Voorhies

Beyond Objecthood : The Exhibition as a Critical Form since 1968
by James Voorhies

Beyond Objecthood : The Exhibition as a Critical Form since 1968 James Voorhies pdf
Beyond Objecthood : The Exhibition as a Critical Form since 1968 James Voorhies pdf

Summary: The rise of the exhibition as critical form and artistic medium, from Robert Smithson’s antimodernist non-sites in 1968 to today’s institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried’s influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator’s connection with a work of art as a momentary visual engagement, Smithson’s non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through the rise of the exhibition as a critical form-and artistic medium. Artists like Smithson, Group Material, and Michael Asher sought to reconfigure and expand the exhibition and the museum into something more active, open, and democratic, by inviting spectators into new and unexpected encounters with works of art and institutions. This practice was sharply critical of the ingrained characteristics long associated with art institutions and conventional exhibition-making; and yet, Voorhies finds, over time the critique has been diluted by efforts of the very institutions that now gravitate to the “participatory.” Beyond Objecthood focuses on innovative figures, artworks, and institutions that pioneered the exhibition as a critical form, tracing its evolution through the activities of curator Harald Szeemann, relational art, and New Institutionalism. Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Hoeller, Maria Lind, Apolonija Sustersic, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur. show more

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Product details Format Hardback | 288 pages Dimensions 165 x 238 x 29mm | 907.18g Publication date 29 Mar 2017 Publisher MIT Press Ltd Imprint MIT Press Publication City/Country Cambridge, United States Language English Illustrations note 73 color illus., 15 b&w illus.; 88 Illustrations, unspecified ISBN10 0262035529 ISBN13 9780262035521 Bestsellers rank 477,339

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